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Teheran the City of Thousand Gardens. A Revival of Iranian Symbolic Elements

Teheran the City of Thousand Gardens. A Revival of Iranian Symbolic Elements

Autori Paniz M. Maddi
Editore Maggioli Editore
Formato Cartaceo
Dimensione 16x22
Pagine 16
Pubblicazione Settembre 2016 (I Edizione)
ISBN / EAN 8891618016 / 9788891618016
Collana Politecnica

Paniz Maddi In 2010, a_er a Bachelor Degree in Architecture Engineering, she started professional activities at Kamooneh Architect Group in Iran. the office had been established at 1962 in Tehran under the direction of arch. Kamooneh who had worked and studied with Frank Lloyd Wright at Taliesin in Wisconsin and Arizona. This group was representing the continuing legacy of Organic Architecture in the Middle East along with the efforts of the other Taliesin pupils around the world and in the United States. In 2012 she started her Master of Sustainable Architecture in Multi-scale Projects at Politecnico di Milano. In 2015 She graduated with 110 con Lode defending the thesis under the supervision of Prof. Elisa C. Catteneo. In January 2016 the thesis won the 3rd Prize of the “Walter Barbero” competition at Politecnico di Milano.This grant goes to the thesis which dealing with the issues that characterize the cultural and transformation processes of developing countries, who have developed noteworthy thesis in the architectural, urban or restoration fields in developing countries. Now she is working as a teaching assistant and Co-supervisor of Master thesis with Prof. Elisa C .Cattaneo at Politecnico di Milano. In Parallel she is working with international architectural firm between Iran and Italy.

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The city of Tehran has a narrative story. Both the story and the city are the termination of dreams and ideals of the people and culture who live in the present and think about the future. The story of Tehran is a century of historical, cultural and social evolution of Iranian people. The city that was prominent for green nature, platanus trees and gardens but unfortunately at present nothing has remained from the history and identity of the past.
Everything in the city from social life to the urban structure has lost its identity and function. Tehran is the city of reflection and silence. The city without social conversation. Due to the industrialization everything has lost its historical meaning and has found their contemporary definition. The city is in fact an art installation. The installation that the society has made unconsciously. In this city individuality represents itself strongly. A city without collective spirit. Everyone constructed his territory as he wants. The city of industrial glasses and mirrors. The glasses and the mirrors that have grown gradually instead of trees and plants. The more we build, the less we breath. The installations of the glass, concrete and steel from north to south instead of the trees. As a witness of the city transformation, this question has arised that how it can be possible to revive the forgotten identity and green city. The main approach of the thesis is based on the theory of the weakness, as an imperfect and manifold way of knowledge. The purpose is to find the solution for the main city problems by focusing on urban contemporary and historical analysis. The proposal revive the symbolic elements by contemporary interpretation.


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